15 May 2026 · Sylvia Dix
The urge to make something real, with your hands — it's back. Loudly.
Collage is one of the most forgiving places to learn composition. Here's how arranging torn paper teaches you the fundamentals of making art.
Why hands, paper, and slow making are quietly becoming one of the fastest-growing consumer categories of the decade — and what that means from a small studio in Melbourne.

I started Pegados Collage Studio because I wanted to make things with my hands and share that with other people. The longer version is that I'd been watching a shift for a while, and I wasn't sure if I was imagining it.
Friends were buying record players. The crafts aisle at Officeworks suddenly had a queue. My own kids would rather glue cut-up magazines to cardboard than watch a screen for fifteen minutes. None of it felt like nostalgia — too many of the people I noticed were too young to be nostalgic for any of it. It felt more like a reaction.
So before I built the studio, I went looking for the data. It turns out the shift is real. And it's much bigger than I expected.
The craft economy is doubling in a decade.
The global handicrafts market — handmade goods, paper craft, ceramics, textiles — was worth about USD 740 billion in 2024. It's forecast to roughly double to USD 2 trillion by 2034, growing at around 8.4% a year. That's bigger than the global music industry, bigger than the global video game industry.
Australia is growing faster than the global average. The local arts and crafts market is forecast at 7.5% CAGR through 2031, and Australian Etsy sellers grew 47% between 2019 and 2022 — one of the platform's fastest-growing regions.
The numbers I keep returning to are the smaller, weirder ones. Searches for "collage art" on Google are up +218% since 2022. Etsy reported a 40% surge in analog-themed shops in 2025. Vinyl outsold CDs for the first time in 35 years. Cassette tapes are being re-issued by major artists because young buyers are asking for them.
"Analog escapism" — and why it isn't nostalgia.
The phrase that finally clicked for me is one I didn't invent. Analog escapism entered cultural circulation in 2025, and the Global Wellness Summit named analog technologies one of the dominant cultural trends of the year.
GWI data from 2025 found that 40% of 12–15 year-olds now take deliberate breaks from screens — up 18 points since 2022. Half of Gen Z vinyl buyers describe the medium as a "digital detox." These are not people nostalgic for the 1990s. Most of them weren't there. They are people exhausted by their phones who have figured out that holding a record, or threading a needle, or cutting paper, makes their nervous system feel different.
The author Pamela Paul, writing in Fortune at the end of 2025, put it like this:
Younger generations have an almost longing wistfulness because so little of their life feels tangible. They are starting to recognise how the internet has changed their lives, and they are trying to revive these in-person, low-tech environments that older generations took for granted.
It's not about retro. It's about tangibility. Collage is almost embarrassingly well-suited to this moment: tactile by definition, built from found and second-hand material, slow, and imperfect in a way that feels like a relief after years of pinch-zooming pixel-perfect interfaces.
The wellbeing case is no longer anecdotal.
The mental-health case for hands-on creative practice has moved from "people say it makes them feel better" to peer-reviewed Australian research. A 2021 Frontiers in Psychology study of 653 Australians documented creative activities as effective emotion-regulation tools. A Griffith University study in PLOS ONE tracked workshop participants one year on and found long-lasting benefits to confidence and recovery.
In 2026, Creative Australia is developing a national Creative Health quality framework — including a practitioner database and support structures for what they're calling "creative health workers." What was quiet folk wisdom for centuries is now a documented framework headed for policy.

What this means if you've been feeling the pull.
If you've been wondering whether the urge to cut paper, take up film photography, or sit in a room with other people making things is just you — it isn't. You are part of a forty percent who have decided that the phone is allowed less of you.
If you're in Melbourne, the Collage & Pizza social nights are how Pegados is testing this — small groups, no skill required, and the pizza is genuinely good. Sign up to the Monthly Pega and you'll hear when the next one is.
The analog comeback isn't a trend. Trends are about novelty. This is about a generation of people figuring out that they don't want to spend their lives looking at the inside of a black mirror, and quietly choosing — with their hands, their wallets, and their Saturday afternoons — something else.
I'd rather be on the side of the people choosing.
Ready to make your first collage? Browse our collage packs, carefully curated by Sylvia Dix. Or check our workshops page for upcoming sessions near you.
Sources: Grand View Research, IMARC Group, 6Wresearch, GWI 2025 18-country survey, Global Wellness Summit Future of Wellness 2025, Frontiers in Psychology, PLOS ONE, Fortune, AP, Etsy Australia.

